American History Through an African American Lens

Smithsonian's National Museum of African American History and Culture

Join Us For Ask a Curator Day!


Photo: The descendants of abolitionist William Lloyd Garrison view items donated by their family with NMAAHC curators. (Michael R. Barnes/Smithsonian)

Tomorrow, join the Smithsonian’s National Museum of African American History and Culture (NMAAHC) for Ask a Curator Day! Over 649 museums from 49 countries will take part in the annual event designed to engage museum staff with our digital audiences. 

Use Twitter and the tags #AskaCurator or #AskNMAAHC to get answers directly from our curatorial staff. We have experts on hand with subject area expertise in photography, fashion, music & performing arts, social movements, and history. 

Not on Twitter? Ask your questions in the comments section of this blog, email them to, or send them to our Facebook page.

Meet our Curators: 

2:00 - 2:30: Aaron B.

Title: Andrew Mellon Curator of Photography

Interests: Social theory, cultural history, popular culture; literature, theater, and the performing arts; business models and operations.

2:30 -3:00: Dwan R.

Title: Curator of Music and Performing Arts

Professional Research Interests: American Music, particularly classical, popular and folk; Theater, African American Performance, Film (1900-1960), Popular Entertainment, issues of gender, race and ethnicity in performance.

3:00 - 3:30: Elaine N.

Title: Supervisory Curator of Culture

Professional Research Interests: Dress and adornment (costumes, jewelry, body arts, etc.) textiles (quilting traditions); building arts (African American pottery and  basket-making) and African American religion.

3:30 - 4:00: Michelle W. 

Title:  Curator

Professional Research Interests:  African American and African Diaspora cultural studies; architecture and design; literary and visual arts; mentoring and professional development for emerging museum professionals.

4:00 - 4:30: William P.

Title:  Supervisory Curator of History

Professional Research Interests:  History of labor and technology, radical movements.

Tweet your questions to @NMAAHC.


Photo: Rosa Parks’ Dress, c. 1955. Dress that Rosa Parks was making shortly before she was arrested for not giving up her seat on a segregated bus. The dress is part of the Black Fashion Museum Collection that was donated to NMAAHC. Gift of Joyce A. Bailey

A few tips for participating in Ask a Curator Day:

  • If you’d like to follow the full conversation and see questions and answers between other individuals and museums, use a website such as TweetChat to view all talk using the hashtag.
  • If you’re new to Twitter, there are many helpful guides to get you started.
  • Not sure what a curator is or does? Ask! Questions about what it’s like to work in a museum, how curators got where they are today, and what a typical work day is like are most welcome. Our curators appreciate the opportunity to reflect on their work and increase awareness about the jobs they do.
  • Curators are passionate about their specific topic areas and love to discuss them. Just like any professional with a specialized expertise, they sometimes hesitate to speculate on questions outside their scope. If you have a question they can’t answer, we’ll do our best to point you in the direction of a resource that may be able to.
  • First, best, most valuable, biggest, tallest, oldest—superlatives are fun. But they can be hard to establish. How can a curator say this is the first color photograph without worrying that future research will prove the answer wrong? If you ask for an example of an early color photograph or what it was like to switch from black and white to color, you might get a more useful answer!
  • Some questions can’t be answered in 140 characters, the limit Twitter puts on tweets. If that’s the case, we’ll save your question and try to get back to you with an answer. 
  • Another option for those longer-than-a-tweet sized questions is to Ask the Smithsonian through Smithsonian Magazine. Unlike the short-and-sweet questions common on Ask a Curator Day, Ask the Smithsonian encourages you to “think big” as they’re seeking 
    “complex questions that will generate new ideas, new visions, and new conversations.”
  • If you’re not on Twitter, you can always reach the museum through Facebook, commenting on blog posts, or in a variety of other ways.

Tips courtesy of the National Museum of American History.

On September 15th, 1963, white supremacists planted a bomb under the steps of the 16th Street Baptist Church in Birmingham, Alabama. The explosion killed Denise McNair (age 11), Addie Mae Collins (age 14), Carole Robertson (age 14), and Cynthia Wesley (age 15), who were attending Sunday school.
These glass shards are from the church’s stained-glass window. They were gathered at the funeral of the four little girls killed in the bombing. Also pictured is a shotgun shell collected from the gutter outside the church.

More info:
Collection of the Smithsonian National Museum of African American History and Culture, Gift from the Trumpauer-Mulholland Collection.

On September 15th, 1963, white supremacists planted a bomb under the steps of the 16th Street Baptist Church in Birmingham, Alabama. The explosion killed Denise McNair (age 11), Addie Mae Collins (age 14), Carole Robertson (age 14), and Cynthia Wesley (age 15), who were attending Sunday school.

These glass shards are from the church’s stained-glass window. They were gathered at the funeral of the four little girls killed in the bombing. Also pictured is a shotgun shell collected from the gutter outside the church.

More info:

Collection of the Smithsonian National Museum of African American History and Culture, Gift from the Trumpauer-Mulholland Collection.

Free Angela and Building NMAAHC’s Public Programs


On Wednesday, September 10th, the Smithsonian National Museum of African American History and Culture (NMAAHC) will screen and host a discussion of Free Angela Davis and All Political Prisoners, directed by Shola Lynch. The documentary explores the life of Angela Y. Davis, Ph.D. a brilliant young scholar and how, because of her activism in support of social justice, she was criminalized and named on the FBI’s 10 most wanted list. Ms. Lynch and Dr. Davis will engage in a discussion of the film moderated by Rhea Combs, Ph.D. NMAAHC film and photography curator.

The program was planned from start to finish by Deirdre C., the Adult and Family Programs Coordinator at NMAAHC. I asked her a few questions about the event, planning a public program, and why it was important to bring Angela Davis to the museum. 

 On choosing topics for NMAAHC’s programs: 

I identify topics for NMAAHC using several criteria:

  • To interpret NMAAHC exhibitions as they’re on view in our gallery located on the 2nd floor of the National Museum of American History.
  • To interpret NMAAHC collections, including new additions to our group of objects as well as ones that we’ve had for a while.
  • I also work very closely with colleagues on the museum’s education, curatorial, and leadership teams to develop programming as well.

On why it was important to bring a discussion around Davis to the museum: 

In terms on of this screening and conversation, we all recognize that Prof. Davis is a figure for the ages, as fascinating to us now as she was at the height of her incarceration and trial. Hers is a quintessential American story of activism. She witnessed and experienced injustice as it occurred and dedicated her life’s work towards a goal of seeing that all Americans are treated fairly under the law, and not jailed unjustly.  I think that her life can inspire us all to live as more engaged citizens within our communities, voting and speaking about how our towns, cities, states are governed.

We are also very lucky to work with the Free Angela Davis’ documentary director, Shola Lynch, and our own, Rhea Combs, curator of film and photography as part of this program to provide a more complete context for viewing and discussion.

 On what audiences can expect: 

 Our audiences will learn about Angela Davis and her imprint on late 20th Century American culture. They will also get a glimpse of what to expect from NMAAHC exhibitions, and programs as our staff interprets this nation’s history, explaining the pivotal role that individual Americans have played at all levels to make all of our lives better.

 The event is free and open to the public. 



The event will now be shown twice, at 5:30 p.m. and at 8:00 p.m. Eastern Standard Time.

PLEASE BE ADVISED that the location has been moved to The Nineteenth Street Baptist Church. Also, we have reached maximum capacity for both event times and are unable to accept any more reservations.

You can view the film and discussion live at 5:30 p.m and 8:00 p.m EST on your computer by clicking this link for the webcast.

 By Lanae Spruce, Digital Content Specialist, Smithsonian National Museum of African American History and Culture. 

A Fond Farewell to Changing America


Photo: Gallery entrance to the Changing America exhibition at the Smithsonian National Museum of American History. 

Two fundamental advances in the American story, and how those actions affected this country, have been vividly celebrated in the “Changing America” exhibition at the National Museum of American History. The installation, created by the National Museum of African American History and Culture, examined the impact of the Emancipation Proclamation in 1893 and the March on Washington in 1963.

Only a few days are left to visit this innovative show that looks at this central arc of 100 years and not only explains the past but underscores the ongoing battles for equality in America. The exhibit closes Sunday, September 7th.


Photo: Tintype of African American soldier. Collection of the Smithsonian National Museum of African American History and Culture, Gift from the Liljenquist Family Collection.

Entering the exhibition, the visitor can choose to first study the world of 1863. Many people, free, enslaved and sympathetic, challenged the system of slavery. The display of Nat Turner’s bible illustrates how powerful individuals were in this fight and how electrifying were the slave rebellions. The conditions that marked the hardships of slavery are captured in many items, including child shackles. The fight to maintain slavery is illustrated in the ads for runaways. How Abraham Lincoln came to issue the Emancipation Proclamation, the document considered a turning point in the country’s history, is part of the compelling narrative.

Yet, 100 years later, more than 250,000 people needed to march in the capitol to let the country and its leaders know the goal of equality, halted by segregation, lynching and minimal jobs, had not been attained.  They gathered at the Lincoln Memorial, which had become a place for celebration and protest since it was dedicated in 1922 and since the great contralto Marian Anderson had sung in 1939. The 1963 event is brought to life in posters, photographs and video of the day’s historic oratory, including Rev. Martin L. King’s “I Have a Dream” speech.


Photo: March on Washington organizing manual, Collection of the Smithsonian National Museum of African American History and Culture.

The stories remind people that these watershed events in 1863 and 1963 were not singular acts but part of a progression that will be reflected in the many narratives the museum will tell. Some of the visitors’ comments have reflected the power of these twin stories. “We have evolved from slaves to proud leaders,” wrote an 11-year-old. Noting that 50 years is not that long ago, a 48-year-old woman wrote “this march is my foundation, my beacon of the power of endurance and my peoples’ spirit of survival.”

After the artifacts are taken down, they are being prepared for the inaugural exhibitions for the museum’s opening in 2016. Artifacts that belonged to abolitionist Harriet Tubman, glass shards from the 16th St. Baptist Church bombing in 1963 and the pocket watch of Bayard Rustin, the organizer of the 1963 march, will be among the many prepared for display and their  everlasting lessons.   

Click the link for more information on the exhibition collection.

Written by Jacqueline Trescott.

Remembering the 1963 March on Washington

Photo: Protesters at he 1963 March on Washington. Collection of the Smithsonian National Museum of African American History and Culture, gift of James H. Wallace Jr.

On August 28, 1963, work in the nation’s capital came to a halt as thousands of demonstrators made their way to Washington. The city had never seen a demonstration of this magnitude. Around the world, millions watched on television as 250,000 people of different backgrounds came together to demand social justice.

The events that day helped mark the centennial of the Emancipation Proclamation and reminded Americans of the nation’s long pursuit to fulfill its founding principles of liberty and equality for all.

Our current Changing America exhibition highlights the impact of the 1963 March on Washington:

Photo: The crowd at the 1963 March on Washington. Collection of the Smithsonian National Museum of African American History and Culture.

"This building will sing for all of us." Lonnie Bunch II, Founding Director, Smithsonian National Museum of African American History and Culture. 

In a 30-minute documentary, Oliver Hardt explores the design concert for the Smithsonian National Museum of African American History and Culture. Designed by British-Ghanaian architect, David Adjaye, the film highlights how Adjaye deals with the challenge of building one of the most important buildings in African American history. Hardt takes viewers through the historical, social, and aesthetic considerations manifested in Adjaye’s design for the museum. 

More about the film: 

For the British-Ghanaian architect David Adjaye, a dream of his young career fulfilled: In an international competition to the more than 70 architects were invited world, he continued in 2009 in the final selection against competitors such as Sir Norman Foster and Diller Scofidio + Renfro by . Adjaye was awarded the contract, the National Museum of African American History and Culture (NMAAHC) building in Washington DC. In addition to interviews with Adjaye and other project managers, the film illustrates the basis of design sketches and models of the museum, the design details of the project. Also, the plot at the end of the National Mall, where the museum is being built right next to the Washington Monument, plays a role: it is the place where past, present and future of American society intersect. ”The Great March on Washington,” the great freedom march in August 1963 at the end of the famous speech of Martin Luther King stood here took his starting point.

We will update this post when the entire film is available.

NMAAHC Travelogues: Along the East Coast

Part four in a four-part series about historic African American sites to visit while traveling the US. Read all the contributions to this blog series: part one, part two, and part three.

If you have decided to ditch the car, the East Coast offers several history-rich sites by train, a chance to stretch your legs and read up on this well-preserved corridor of history.


Photo: Ebenezer Baptist Church in Atlanta, where Martin Luther King Jr. preached. Credit: Erin McDaniel, Wikimedia Commons. 


This Southern city has established a National Historic District centered on the birthplace of Rev. Martin L. King, Jr. at 501 Auburn Avenue.  Make those grainy newsreels come to life with stops at the King family’s Ebenezer Baptist Church and the storefronts of the famous business district called Sweet Auburn Avenue. One feature of the District is a Walk of Fame allowing visitors to follow the footsteps of people who fought for civil rights. The APEX Museum on Auburn specializes in local history and family reunion tour, and is currently showing, “Africa: The Untold Story.”  

Pick up a copy of the Atlanta Daily World, established by the Scott family in 1928, for insights into black Atlanta. In the Atlanta University Center complex is Spelman College, the home of the Spelman Museum of Fine Art, with a permanent exhibition of 20th Century African American art (on the website it say the museum is closed for summer break; should the reference remain in the post?). For a glimpse of modern entertainment history, check out the schedule for tours of filmmaker Tyler Perry’s state-of-the-art studios.


Photo: Gantt Center

North and South Carolina

Centuries of ghosts haunt Charleston, S.C.—a good introduction to region is the Avery Research Center for African American History and Culture. The Avery Normal Institute was a successful secondary school for African Americans from 1865 to 1954 and its building houses the center on the College of Charleston.  Many of the sites related to the Civil War and Reconstruction are prominently marked in downtown Charleston. Enjoy the breeze off the Charleston Battery and imagine how runaway slaves snuck onto friendly ships headed north. The Denmark Vesey House acknowledges the bravery of the failed slave revolt, where more than 30 people were hung, including the organizer Vesey.  But don’t neglect  the sweet grass baskets handicrafts from Mary Jackson, winner of a National Heritage Award. Available right on the streets of Charleston, these baskets help portray the rich history of the West African community in South Carolina.

In Charlotte, N.C. the Harvey B. Gantt Center for African American Arts + Culture is a beautiful facility designed by Philip Freelon, one of the architects of our building.  The evocative center is also the home of the John and Vivian Hewitt Art Collection, one of the country’s most important private assemblages of African American art. Through June 15th, the center is showing “African American Art Since 1950: Perspectives from the David C. Driskell Center.”


Photo: Avery Normal Institute 


Virginia has history on almost every stretch of the state and the capital, Richmond, has been working hard to tell the history from all perspectives. In Richmond the American Civil War Center at Historic Tredegar is a museum with the Civil War story is told from the Union, Confederate and African American perspectives. Showing now is the 10th Cavalry Drum from the Buffalo Soldiers, regiments of African American soldiers during the Civil War. For a look at Richmond’s famous African Americans, there are statues of William “Bojangles” Robinson, the great dancer and humanitarian, and Arthur Ashe, the pioneering tennis champion. The National Park Service has preserved the home of Maggie Lena Walker, the first woman to charter a bank in the U.S. bank.


Photo: The Lincoln Memorial

Washington, D.C.

When you get to Washington, D.C., there is an exhaustive list of sights, and even if this is your third or fourth trip, do go to the Lincoln Memorial. There is now a plaque where Rev. Martin L. King, Jr. stood on that August day in 1963, letting his voice echo far past the Reflecting Pool and into our collective consciousness.   With the passage of time, you might understand even better the power of his words. The towering statue of King, dedicated in 2011, is only a short walk away. Don’t forget to take a look at the grounds for the National Museum of African American History and stop by the Welcome Center on Constitution Avenue near the Washington Monument – opening in 2016, the building has really begun to take shape. 

 Over the years the achievements of African American citizens have been immortalized around Washington. When you leave the White House and Lafayette Park, visit the Decatur House where the 1822 slave quarters are accessible to visitors. Then walk east a couple of blocks to 1500 H St. NW. A marker commemorates the Wormley Hotel, the prestigious business James A. Wormley opened in 1871 and served the dignitaries of the day. Cultural Tourism DC has placed many markers around town to bring attention to the deeds of blacks of the past.

Away from downtown, and the tourist-crammed sidewalks, is the Mt. Zion Cemetery at 27th and Q Sts. N.W. in Georgetown. Already in use as a cemetery for freed and slave blacks, the land was purchased in 1842 by the Female Union Band Society, an organization started by free black women. It is a wonderful walk and history lesson.


Photo: John Johnson House. Credit: Audrey,. Wikimedia Commons. 


The Last Stop in our Travelogues is Philadelphia—Mother Bethel AME Church is a prime destination, with its ministry in continuous service since 1797 and its activity in the Underground Railroad.  It is located on the oldest property continually owned by African Americans.  Philadelphia was a hub for the Underground Railroad and that bravery is remembered at the home of William Still, a coal merchant who helped as many as 800 people escape and the Johnson House Historic Site, the home of a Quaker family of abolitionists. A newer point of interest is the President’s House Commemorative Site, the home of George Washington and John Adams from 1790-1800. In 2010 a memorial was opened to tell the Washington story, as well as the story of the nine slaves who worked in the house. The location at 6th and Market can be visited 24 hours a day.

Ever since its founding days Philadelphia has had a bounty of museums. Right now the African American Museum in Philadelphia is showing a detailed exhibit of photographs entitled “Distant Echoes: Black Farmers in America”.

 By Lonnie G. Bunch III, Founding Director, Smithsonian National Museum of African American History and Culture. 

NMAAHC Travelogues: The Northern Tour


Photo: Chicago Skyline

Part three in a four-part series about historic African American sites to visit while traveling the US. Read all the contributions to this blog series: part one, part two, and part four.

Chicago was my home for many years, so I could give you an exhaustive list of what awaits you in this city of many personalities.  The best place to start is at the beginning.

 Jean-Baptiste Point Du Sable, a black man from Haiti, established a trading post in 1779 on the Chicago River and out of this grew one of America’s great cities. Your urban adventure should start at the Du Sable Marker at 401 N. Michigan Ave. More information about the city’s founder is installed at the Chicago Historical Society.  The Chicago History Museum, at 1601 N. Clark St., right now is showing “Unexpected Chicago,” an eclectic array of items, including Etta Moten Barnett’s hat.

 The headquarters of Johnson Publishing, which publishes Ebony and Jet and sponsored the international runway show, is a black landmark, right on Michigan Ave. The Du Sable Museum of African-American History and Art opens a new exhibit, “Funky Turns 40: Black Character Revolution Animation Art from Classic Cartoons of the ‘70s” on June 27th. You don’t have to go inside to see art in Chicago. Public art is everywhere.  Look for the exquisite sculptures of Alison Saar, Preston Jackson and Richard Hunt. Not to be missed is the 2,000 pound statue of basketball great Michael Jordon outside the United Center. 


Photo: Michael Jordan Statue

Chicago remains an active home for blues music and a good resource is Willie Dixon’s Blues Heaven Foundation in the building that belonged to Chess Records. Call ahead to see if some music is brewing –you just might get lucky and catch a free concert. For your record collection, you can’t go wrong at the Jazz Record Mart, a huge storehouse of all types of music. And I strongly recommend a river tour sponsored by the Chicago Architecture Foundation; the view of the iconic buildings and the guides’ dialogue are worth your time.


Photo: Striver’s Row

New York City

New York City, like Chicago, has a history lesson on almost every block. So travel to this vibrant destination and learn about the involvement of black Americans from its earliest days to the neighborhood revivals of the present. Near the tip of Manhattan and the World Trade Center memorial site is the moving African Burial Ground National Monument. This sacred spot, where slaves and freed blacks were buried in the 17th and 18th Century, was discovered in 1991 and the memorial is free. 

 The subway, the famed A-Train, and other train lines, will take you right to Harlem, the country’s most famous black conclave. Just walking will give you a hefty dose of history. Include in your tour the Studio Museum in Harlem at on 125th St., one of the country’s best art museums. The Apollo marquee at 253 W. 125th St. will advertise the current show, and you might be able to peek inside. The Hotel Theresa, at 125th and Seventh Ave., witnessed much of the 20th Century history. Joe Louis, the legendary boxer, held his victory parties there, and Fidel Castro held meetings with Malcolm X and Nikita Khrushchev at the hotel.


Photo: Mother African Episcopal Zion Church

The exhibitions at the Schomburg Center for Research in Black Culture, a division of the city’s public libraries are open Monday-Saturday. In the evenings are spirited discussions about film, literature and art. The current shows include an exhibit about the history of Motown, and opening in July, “We are the Music Makers,” outlining the history of traditional Southern music.

There are several historic residential areas in Harlem. Strivers Row on W. 138th and 139th has retained its exterior architectural signatures. The townhouses were built between 1891 and 1893 and were the goal of black professionals, once original white residents moved out.  Another group of houses with immense architectural history are the semi-detached homes on 130th Street. Called Astor Row because the wealthy Astor family started the project, the houses were built between 1880 and 1883 and have the unusual features of front porches and front yards.

On Sundays in Harlem, you will be jostling with tour buses to see the world renowned churches and hear the famed choirs.  Worth a stop is the Mother African Methodist Episcopal Zion Church at 1406 W. 137th St., the oldest black church in New York. A stop on the Underground Railroad, the church has been in Harlem since 1914. Mount Olivet Baptist Church at 201 Lenox Ave. is housed in a 1907 synagogue. Abyssinian Baptist Church, where Rev. Adam Clayton Powell Senior and Junior preached has been in its current location since 1923.

By Lonnie G. Bunch III, Founding Director, Smithsonian National Museum of African American History and Culture. 

NMAAHC Travelogues: The Deep South


Photo: Congo Square, Armstrong Park, New Orleans. Credit: Mr. Littlehand, Wikimedia Commons. 

This week we’re sharing our favorite African American historical sites to visit while traveling in the United States. This is the second piece in a four-part series. Read all the contributions to this blog series: part one, part three, and part four.

Let’s go South. Whether you have friends or family with you, New Orleans remains one of the most fascinating places for friends and families to visit. The history is extremely tangled, racially and culturally. The unparalled food is well, a gumbo. And there are oral and architectural sights and sounds everywhere.

The past and current state of race relations is not hard to study in this captivating city.

Slaves and freemen congregated in Congo Square, then and now the site of many musical events, located in the park named for native son Louis Armstrong. For a varnished look at slave quarters, go by the Hotel Maison de Ville in the French Quarter. The quarters were built around 1750 and are now guest rooms.  The above ground burial traditions of New Orleans are proudly preserved at St. Louis Cemetery Number One where you can see the ironwork of African American craftsmen, and the grave of Homer Plessy, the plaintiff in the notorious 1892 Supreme Court decision, Plessy v. Ferguson that upheld the separate but equal law in the South.


 Photo: Hotel Maison de Ville.

 New Orleans has plenty of modern stories. The Praline Connection, a restaurant business of three generations of African American men, survived Hurricane Katrina. The meals at its Frenchman Street location are genuine New Orleans, and it is right by the jazz destination of Snug Harbor. The universities and museums chronicle many aspects of the African American experience. The Amistad Research Center at Tulane University is currently showing a new art  exhibition, “Rising Up II: The Life and Work of Hale Woodruff” through August 29, 2014 (coming to the NMAAHC on November 7) and recently acquired “The Evelyn Cunningham Papers,” a collection of her writings titled “The Women,” published in the Pittsburgh Courier, as well as other documents concerning her life and work. Cunningham wrote primarily on the African American lifestyle in Harlem, as well as on the lives and work of many famous African Americans.Visit the National World War II Museum, Mardi Gras World (which gives visitors access to a Mardi Gras experience year-round), Musee Conti, a wax museum where you will find Jelly Roll Morton’s likeness and the living, jumping location of the Preservation Jazz Hall. But don’t overlook the Old Mint Museum, which has a superior collection of jazz and Mardi Gras material.


 Photo: The Praline Connection.

Almost 10 years later, the effort to rebuild the Lower Ninth Ward, a neighborhood destroyed by Hurricane Katrina, progresses slowly.  Find a local guide to show you the new environmentally friendly homes built under actor Brad Pitt’s organization and the Musicians Village, envisioned by New Orleans native musicians, Harry Connick, Jr. and Wynton Marsalis. 


The best way to visit this state, steeped in American history, is to decide on a central gathering place and radiate from there. Because if you don’t have a jumping-off location, such as Grandma’s House, Mississippi can be challenging in its number of important places to see and its geographic spread.

The voices that have risen from the roads of the state are many: Muddy Waters, Leontyne Price, B. B. King, Jerry Butler, Sam Cooke, James Cotton, Charlie Pride, Robert Johnson, Howlin Wolf and Bo Diddley.  As befits a tribute to the blues, The Mississippi Blues Trail is slowly evolving into a must-see destination. I suggest you study which markers might mean the most to you and your family, as there are more than 170 important markers on the trail.


 Photo: Stop on the Mississippi Blues Trail

For a quick immersion, head to Clarksdale, a crossroads of the Delta region, located 90 minutes from Memphis, Tenn. Several festivals are held every year to salute the blues sound and the singers who are preserving it today. One essential stop is the Delta Blues Museum, which received the 2013 National Medal for Museum and Library Service, the highest national recognition for museum programming. Among the artifacts at the Blues Museum is a reconstruction of the remains of the sharecropper shack where Muddy Waters lived.


Alabama needs some careful planning just like Mississippi. The W.C. Handy birthplace, museum and library are located in Florence. The Dexter Avenue-King Memorial Baptist Church and the Civil Rights Memorial are in Montgomery. The Edmund Pettis Bride is in Selma. And the Tuskegee Institute, a National Historic Site, is in Tuskegee.

I’ve selected Birmingham, because its history resonates with many generations, and this year is the 50th anniversary of the bombing of the Sixteenth Street Baptist Church. The church should top your list because there is a shrine for the four girls killed there in a bomb blast in September, 1963.  Also visit the Birmingham Civil Rights Institute, an active history organization that will show you what events shaped the lives of your parents and grandparents in the 1950s and 1960s. The institute is home to many galleries that provide a moving, multi-media experience of Birmingham during the Civil Rights Movement. 

Walk over to Kelly-Ingram Park, and imagine what the sounds of the water hoses, the barking dogs and the cries of the innocent citizens sounded like. James Drake, a sculptor has created statues of those events and one of Rev. Martin L. King, Jr., who wrote his famous “Letter from Birmingham Jail” in the city’s lockup.

In what is called the Civil Rights District is the Alabama Jazz Hall of Fame, located in the Carver Theater. And near the Convention Center is the Alabama Sports Hall of Fame and Museum which honors athletes and coaches, like Paul “Bear” Bryant, Jesse Owens, Hank Aaron, Joe Louis and Willie Mays.


Photo: STAX Museum


If you are headed to Memphis, where Handy later lived, the Beale Street Historic District will keep you extremely busy and awash in music.  But a must is the National Civil Rights Museum at the-Lorraine Hotel. The museum recently underwent renovations, but reopened on April 4th, and is currently showing exhibits on many aspects of the Civil Rights movement and history, including an exhibit on “The Rise of Jim Crow,” and “For Jobs and Freedom.”  A prime cultural stop is the Stax Museum of American Soul Music, to see videos of Otis Redding and Isaac Hayes’s Cadillac. Another tribute to the sounds of Memphis is the Memphis Rock ‘n Soul Museum, a Smithsonian affiliate now featuring an exhibit called “60 Years of Rock,” taking you from Elvis Presley all the way to the present day sounds of rock music.

By Lonnie G. Bunch III, Founding Director, Smithsonian National Museum of African American History and Culture. 

NMAAHC Travelogues: The Great West


Photo: Yosemite Half Dome

This week we’re sharing our favorite African American historical sites to visit while traveling in the United States. This is the first installment in a four-part series. Read all the contributions to this blog series: part two, part three, and part four.

Summer inevitably brings family vacations and reunions, weddings, graduations. While you’re traveling, I would like you to discover and reconnect with important sites of African American history.

For those heading out West, Yosemite National Park offers beauty but also a wonderful lesson in another chapter of the Buffalo Soldiers achievements. About 500 Buffalo Soldiers served in America’s western parks, building roads and clearing what was the tough wilderness. The men in Yosemite were supervised by Col. Charles Young, the third African American graduate of West Point, and evidence of their work is still visible.

Move down the coast and stop in San Francisco. Downtown is the contemporary-styled Museum of the African Diaspora, which is showing “Gordon Parks Photographs at His Centennial”, and the visionary Martin L. King, Jr. Memorial Waterfall, featuring King’s words. Another destination is the Fillmore Historic Jazz District, centered on the Jazz Heritage Center at 1320 Fillmore. San Francisco has always been a groundbreaking music scene with The Fillmore at 1805 Geary Blvd. hosting every jazz, rock and soul name in music’s archives.

One of the most fascinating characters of San Francisco’s past is Mary Ellen Pleasant (1814-1904). Pleasant was a wealthy businesswoman who was involved in abolitionist and Underground Railroad movements. In the 1860s and 1870s she filed lawsuits which eventually ended segregation in the city’s public transportation. There’s a plaque at Octavia and Bush and a small park, the former site of Pleasant’s 30-room mansion. Don’t skip a trip to the landmark City Lights bookstore to learn more about Pleasant and the city’s rich history.


Photo: Cartoon of Paul R. Williams by Charles Henry Alston.

Continue your California journey to Los Angeles. Visit the California African American Museum in Exposition Park and see their exhibits on the Golden State Mutual Life Insurance Co. and the work of Cuban photographer Roberto Chile. Take a walking tour around the YMCA, 28th Street, which was built by the renowned architect Paul R. Williams.  Williams was the first African American member of the American Institute of Architects, joining in 1923, and was awarded the NAACP’s Spingarn Medal in 1953. Williams designed many private residences for Hollywood royalty, including Frank Sinatra, Lucille Ball and Bill “Bojangles” Robinson. Walk by the Saks Fifth Avenue in Beverly Hills for another look at Williams’ work. He did the interiors of the original building and then the exterior and interior expansion of the structure in 1940 and 1948. That’s a black retailing fact.


Photo: Daytime photograph of the sign of the closed Moulin Rouge hotel & casino. Credit: Bentai en Wikipedia.

Moving inland, Las Vegas, Nev. has plenty of attractions for the young and old. Sadly, the city has a scarred history in the treatment of black entertainers and workers. The city was tightly segregated.  However in 1955 the Moulin Rouge, the first interracial hotel and casino opened. The great boxer Joe Louis was an investor.

The club attracted the black and white celebrities of the day.  After its brief heyday, the building remained for many years and was the place where an agreement was reached in 1960 to end segregation in the city’s casinos. Its famous electric sign is now housed at The Neon Museum, a quirky attraction in Vegas. As an unexpected bonus, the Museum also has a tribute to architect Paul Williams, who had several projects in Vegas.

By Lonnie G. Bunch III, Founding Director, Smithsonian National Museum of African American History and Culture.

1 of 11
Load More Posts
Sorry, No More Posts